This image was taken at night in Yosemite Valley, CA, where I set up my tripod before dark, focused my wide angle lens on this gnarled incense tree in the background, set a base exposure, composed my shot paying attention that no branches of the tree intersected the top of the surrounding mountains and waited for darkness to descend. Then it was just a question of taking several shots at different times at night, with the sky taking on different hues, and sometimes experimenting with “light painting”, as in this image.
Painting with light is a hit and miss technique that may be performed in night photography situations, and that is achieved by shining a flashlight on the foreground subject, or anyway a foreground element, to accentuate it and give it some texture in the final image. There are no hard and fast rules for how long to light your subject, and the photographer is best advised to take several shots with different intensities of lighting, as there is no way of telling which one will turn out to be the most pleasant one. On those circumstances I always take a few shots in full darkness too, with the tree that is completely silhouetted against the lighter sky, because sometimes those may turn out to be the best option.
In this case, however, I think the moderate amount of “light painting” on the incense tree works to the benefit of the image as it gives kind of an eerie feel to the gnarled tree, accentuating its tortured limbs that stretch out in all directions and one of which points to Yosemite Falls.
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